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Opis izmjene
OpisTheFaulknerPortable.jpg
The "Faulkner portable": American novelist William Faulkner’s (1897-1962) Underwood Universal Portable typewriter, resting on a tiny desk his stepson helped him build. This space at Rowan Oak, the author's home, was part of the back porch until Faulkner spent part of a Random House advance to enclose it in 1952, long after he had written his seminal Compson and Sartoris family novels. He insisted that this room not be called his "study." According to biographer Joseph Blotner, "he did not study in it, so there was no sense in calling it that. It was the 'office,' the traditional name for the room in the plantation houses where the business was transacted."
As to the typewriter itself, Underwood introduced its Universal Portable in the mid-l930's among a full line of portables such as Champion, Noiseless Portable and Junior. Faulkner had a habit of buying used portables locally, wearing them out, then trading them in on more used portables. This Underwood was one of at least three typewriters in Faulkner`s possession at the time of his death (the University of Virginia has one, too). So, this is no more "the" typewriter any more than those square carpenter`s pencils next to it are "the" pencils. Had Faulkner lived a few more years, this machine would have met the same fate as the rest. Still, the room has a resonance.
BOOK magazine was publishing an article of mine on "Yoknapatourism," and thinking (mistakenly) that the editors hadn`t already selected a photographer, I returned to Oxford on a rainy October afternoon to make my own pictures for submission. The travel piece was eventually illustrated with sunny-day brochure shots, but I was happy to keep this one for myself. There was no direct lighting within the office, so I let the film take its time, soaking up faint incandescent glow from the library and main hallway, which neatly balanced the cloudy daylight. I used the camera`s timer so my hand wouldn't jostle the tripod, and I even backed out of the room--in part to let the scarce light do its work and, I think, because I wanted Faulkner`s office truly vacant.
Trivia: the book next to the typewriter is the 1939 edition of Writer's Market.
Thanks to Bill Griffith, curator of Rowan Oak, for letting me past the Lucite wall and to Milly Moorhead West for lending me the tripod. - Gary Bridgman
credit to read Gary Bridgman, southsideartgallery.com
Licenciranje
Ja, vlasnik autorskog prava ovog djela, ovdje ga objavljujem pod sljedećim licencama:
Dopušteno je umnožavanje, dijeljenje i mijenjanje ovog dokumenta pod uslovima GNU-ove licence za slobodnu dokumentaciju, verzije 1.2 ili bilo koje novije koju objavi Fondacija za slobodni softver; bez nepromjenljivih odjeljaka i bez tekstova na naslovnoj i zadnjoj strani. Tekst licence možete pročitati ovdje.http://www.gnu.org/copyleft/fdl.htmlGFDLGNU Free Documentation Licensetruetrue
dijeliti – umnožavati, raspodjeljivati i prenositi djelo
prerađivati – prilagođavati djelo
Pod sljedećim uslovima:
pripisivanje – Morate pripisati odgovarajuće autorske zasluge, osigurati link ka licenci i naznačiti jesu li napravljene izmjene. To možete uraditi na bilo koji razumni način, ali ne tako da se sugerira da davalac licence odobrava Vas ili Vašu upotrebu njegovog djela.
dijeljenje pod istim uslovima – Ako mijenjate, transformišete ili nadograđujete ovaj materijal, morate ga objaviti i distribuirati samo pod istom ili sličnom licencom poput ove.
Ova oznaka licence je dodana na ovu datoteku kao dio GFDL ažuriranja licence.http://creativecommons.org/licenses/by-sa/3.0/CC BY-SA 3.0Creative Commons Attribution-Share Alike 3.0truetrue
dijeliti – umnožavati, raspodjeljivati i prenositi djelo
prerađivati – prilagođavati djelo
Pod sljedećim uslovima:
pripisivanje – Morate pripisati odgovarajuće autorske zasluge, osigurati link ka licenci i naznačiti jesu li napravljene izmjene. To možete uraditi na bilo koji razumni način, ali ne tako da se sugerira da davalac licence odobrava Vas ili Vašu upotrebu njegovog djela.
dijeljenje pod istim uslovima – Ako mijenjate, transformišete ili nadograđujete ovaj materijal, morate ga objaviti i distribuirati samo pod istom ili sličnom licencom poput ove.
{{Information |Description=The "Faulkner portable": American novelist William Faulkner’s (1897-1962) Underwood Universal Portable typewriter, resting on a tiny desk his stepson helped him build. This space at Rowan Oak, the author's home, was part of th
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Proizvođač kamere
Canon
Model kamere
Canon EOS DIGITAL REBEL
Vrijeme izlaganja (ekspozicije)
1/30 sekundi (0,033333333333333)
F broj
f/3,5
Rejting ISO brzine
125
Datum i vrijeme generisanja podataka
15:41, 26 maj 2006
Fokusna dužina objektiva
28 mm
Orijentacija
Normalna
Horizontalna rezolucija
72 dpi
Vertikalna rezolucija
72 dpi
Korišteni softver
QuickTime 7.1.3
Vrijeme i datum promjene datoteke
22:09, 20 februar 2007
Exif verzija
2.2
Datum i vrijeme digitalizacije
15:41, 26 maj 2006
Dubina boje poslije sažimanja
3
Brzina APEX okidača
4,9068911099421
Otvor blende
3,6147157190635
Kompozicija ekspozicije
0
Najveći broj otvora blende
3,6147157190635 APEX (f/3,5)
Način mjerenja
Šema
Bljesak
Bljesak (blic) nije radio, obavezno izbjegavanje bljeska