Datoteka:Canaletto, The Bucintoro at the Molo on Ascension Day, c. 1732.jpg

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Canaletto: Venice: The Bacino di San Marco on Ascension Day  wikidata:Q19660618 reasonator:Q19660618
Umetnik
Canaletto  (1697–1768)  wikidata:Q182664 q:it:Canaletto
 
Canaletto
Alternativna imena
Birth name: Giovanni Antonio Canal Pseudonim: Il Canaletto
Opis italijanski slikar, bakropisac, grafički umetnik i crtač
Datum rođenja/smrti 7. oktobar 1697. / 17. oktobar 1697. / 18. oktobar 1697. / 1697 Uredi na Wikidati 19. april 1758. / 10. april 1768. / 19. april 1768. / 20. april 1768. / 1768 Uredi na Wikidati
Mjesto rođenja/smrti Venecija Venecija
Period rada od 1716 do 1768
date QS:P,+1750-00-00T00:00:00Z/7,P580,+1716-00-00T00:00:00Z/9,P582,+1768-00-00T00:00:00Z/9
Mjesto rada
Venecija (1716–1719), Rim (1719), Beč, Dresden, Venecija (1720–1746), London (oko 1746–1756), Venecija (oko 1756–1768)
Normativna kontrola
creator QS:P170,Q182664
 Uredi na Wikidati
image of artwork listed in title parameter on this page
Naslov
Engleski:
The Bacino di San Marco on Ascension Day Uredi na Wikidati
title QS:P1476,en:"The Bacino di San Marco on Ascension Day Uredi na Wikidati"
label QS:Len,"The Bacino di San Marco on Ascension Day Uredi na Wikidati"
label QS:Lit,"Venezia: Bacino di San Marco bel giorno dell'Ascensione"
label QS:Lfr,"Venise: le bacino di San Marco le jour de l'Ascension"
label QS:Lde,"Venedig: Bacino di S. Marco am Himmelfahrtstag"
label QS:Lnl,"Venetië: Bacino di San Marco aan hemelvaartsdag"
Vrsta slika Uredi na Wikidati
Žánr Veduta Uredi na Wikidati
Opis
English: The Bucintoro, after the ceremony for the Sposalizio del Mar, the Wedding of the Sea, held on Ascension Day and thus otherwise known as the Festa della Sensa. Venice’s principal annual ceremony was of uncertain origin: it commemorated, according to one tradition, the sailing on Ascension Day in the year 1000 of a war fleet to assert Venetian power along the Istrian coast; according to another, the gift of a ring by Pope Alexander III to Doge Sebastiano Ziani - the greatest of Venice’s medieval doges - to sanction Venice’s authority in the Adriatic, in gratitude for Ziani’s support for the Pope against the Holy Roman Emperor, Frederick Barbarossa (Pope and Emperor were reconciled in San Marco on Ascension Day 1177). The Bucintoro was rowed in procession out of the lagoon into the Adriatic, where the Doge cast a ring blessed by the Patriarch into the waters, symbolising the marriage of Venice to the sea. The Bucintoro depicted here was to be the last, constructed in 1728-9 and crowded with gilded wooden allegorical sculptures by Antonio Corradini. After the fall of Venice to Napoleon’s army in 1797, the upper part of the Bucintoro was burnt to recover the gold, after which the Austrians armed the hulk with cannon and placed it to guard the entrance to the lagoon. It was finally broken up in its birthplace, the Arsenale, in 1824. The view is taken from some way out in the Bacino, directly in front of the Zecca, the south façade of which is seen to the left together with the Libreria. Beyond is the Campanile, shortened to fit it into the painting (four small windows serving the staircase running up the shaft should be visible). In the Piazzetta is the marquee of the Ascension Day market, clearly regarded as an integral part of the festival. Beyond are the Torre dell’Orologio and the south flank of San Marco, with the western dome reduced in size and moved eastwards to be largely obscured by the Palazzo Ducale. To the right of the Palazzo Ducale (much diminished in width) are the Prigioni and Palazzo Dandolo (today the Hotel Danieli); moored to the left of the Bucintoro with its oars raised is the fusta, the Doge’s usual single-masted galleon.
Datum oko između 1733 i 1734
date QS:P,+1733-00-00T00:00:00Z/8,P1319,+1733-00-00T00:00:00Z/9,P1326,+1734-00-00T00:00:00Z/9,P1480,Q5727902
 Uredi na Wikidati
Tehnika oil on canvas Uredi na Wikidati
Dimenzije visina: 76,8 cm Uredi na Wikidati; širina: 125,4 cm Uredi na Wikidati
dimensions QS:P2048,+76.8U174728
dimensions QS:P2049,+125.4U174728
institution QS:P195,Q1459037
Aktuelna lokacija
Popisni broj
RCIN 404417 (Royal Collection) Uredi na Wikidati
Istorija predmeta Joseph Smith; from whom bought by George III od Velike Britanije
Povijest izlaganja
Reference
Izvor/fotograf NepoznatUnknown source
Ostale verzije

(same painting)

English: companion piece: (RCIN 404416)
much larger than the other twelve views on the Grand Canal. Canaletto probably first depicted the scene in a drawing of 1729, and the composition was painted many times by the artist and his followers. This version must have been painted at around the same time as its companion piece; engraved as the final two plates of Visentini’s ‘Prospectus Magni Canalis Venetiarum’ (Venice, 1735), Bucentaurus et Nundinae (market) Venetae in die Ascensionis, the overall title of the Prospectus referred only to the Ascension Day market

Licenciranje

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

Ovo je djelo u javnom vlasništvu u zemlji podrijetla i u drugim zemljama s rokom trajanja autorskih prava za života autora plus 100 godina ili manje.


Ovo je djelo u javnom vlasništvu u SAD-u zato jer je objavljeno (ili registrirano pri Uredu za autorska prava Sjedinjenih Američkih Država) prije 1. siječnja 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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aktualna12:42, 6 maj 2005Minijatura verzije (12:42, 6 maj 2005)823 × 503 (103 kB)Luestling~commonswikiCanaletto, The Bucintoro at the Molo on Ascension Day, c. 1732 <br>Oil on canvas - Royal Collection, UK {{PD}}

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